Associate Professor of Asian and Asian American Studies; Coordinator for the Asian and Pacific Studies Program
Los Angeles, CA, UNITED STATES
Bellarmine College of Liberal Arts
Ph.D., East Asian Languages and Cultures
M.Phil., Chinese Language and Literature
B.A., Chinese Language and Literature (with distinction)
"Films of Refection and Nativity" in Ming Dong Gu ed, Routledge Handbook of Modern Chinese Literature. London & New York: Routledge, 2018. Pp. 462-474.
"Ghostly Haunting and Moral Interrogation in Wang Xiaoshuai's Red Amnesia." Journal of Modern Chinese Literature and Culture, 29. 2 (2017): 34-65
“Trauma, Migrant family, and Neoliberal Fantasies in Last Train Home.” Concentric: Literary and Cultural Studies, 42.1 (2016): 49-72.
“Violence, Wuxia, Migrants: Jia Zhangke’s Cinematic Discontent in A Touch of Sin.” Journal of Chinese Cinemas, 9.2 (2015): 159-172.
“Heterogeneous Time and Space: Han Shaogong’s Rethinking of Chinese Modernity.” KronoScope: Journal for the Study of Time, 15.1 (2015): 26-42.
“Remapping Emotion and Desire: Same-Sex Romance in Ah Cheng’s The King of Chess.” American Journal of Chinese Studies, 21.1 (2014): 45-60.
“Displaced in the Simulacrum: Migrant Workers and Urban Space in The World.” Asian Cinema, 22.1(2011): 152-169.
“Contention of Lust, Caution: Sexuality, Visuality and Female Subjectivity,” Situations: Cultural Studies in the East Asian Context, 4 (2010): 41-60.